Sunday, 19 May 2013

The Fast and Furious 6 in 100 Words




The Fast and Furious 6 wastes little time bringing the gang back into the fold when former nemesis Hobbs offers them the chance to gain their freedom. With all the vehicular warfare you expect, this instalment brings together a surprisingly cool London, numerous trashed Vauxhall Astras, and an abundance of moments that will leave you both gasping and laughing. New villain Shaw doesn't get much time to shine amongst the ensemble cast but brings a certain class to proceedings. Completing its metamorphosis from street racing to crazily absurd action; what other series can claim their sixth entry is their strongest?

Friday, 17 May 2013

The Great Gatsby in 100 Words





When Nick Garraway moves to the fictional West Egg and befriends the elusive millionaire Jay Gatsby, little does he know the impact it will have on him.  Baz Luhrmann’s visuals, mixed with a thumping Jay-Z soundtrack, gorgeously convey the 1920’s decadence and splendour, which is bolstered by the most charming and damaged central performance (plus smile) from an actor since The Artist’s Jean Dujardin. DiCaprio’s quixotic attempts to live in the past show us the darkness hidden behind the whiskey, fast cars, and jazz. Dishonesty abounds as façades crash and dreams are dashed in an entertainingly strong but long adaptation.

Saturday, 11 May 2013

Batwing #20

This issue answers the question that’s been on everyone’s mind: Who is Batwing? 





Only having had a passing knowledge of the previous incumbent, I thought I'd be pretty open to a new Batwing and wouldn't take umbrage to a replacement so early on in a new titles life.

Batwing #20 proved me wrong with one line. When the subject of a new Batwing is raised, and Alfred questions Bruce's thought process, he points out that he was always his first choice. What a slap in the face for those who have purchased the previous 19 issues? You had just as well tell them they wasted their time!

On top of that they've replaced a guy who had real issues and wanted to clean up his own part of the world with another perfect young specimen who could be whatever he wanted to be. He has two degrees! He's an MMA fighter! My goodness it just sounds so clichéd. Where do they find all these people? It's only one issue in but I see nothing that I haven't seen from other members of the Bat-Family.

At least his new suit is cool, with a distinct Batman Beyond feel. Plus there was plenty of action which was decently choreographed. But as an issue that seemed perfect to jump aboard, I wanted a story that would really get its hooks into me and make me want to find out more about the new Batwing. All I got was a hollow story that seemed to want to maintain some semblance of continuity before going on to do its own thing. Why bother sending the new Batwing to Africa, when he has no ties and no investment? 

On this outing I don't feel much investment either.

Batman and Red Hood #20


The massive fallout from the recent events in BATMAN, INCORPORATED take Batman to the very limits of his sanity…will The Red Hood pull him back—or push him over the edge?



Batman and Robin has been a really solid title, so once (spoilers!) Damian was killed off in the pages of Batman Incorporated I had concerns over the direction of the title. Last months issue, featuring Carrie Kelly, dealt with denial and gave me hope that it wasn't losing its way.

Sadly #20, featuring Red Hood and focusing on anger, does very little to move things along and ultimately just feels pointless. As a story it lacks focus, with the pair attacking a base in Africa and basically shouting at each other for most of it. Instead of any real development, it just peters out with Jason leaving Bruce on his own.

The title is clearly going to move around and use every character it can (next month is Batgirl and the month after Catwoman), but it just feels as though they felt a need to use Jason and thought “Jason's angry lets throw him in”. Strikes me as clutching at straws whilst the editors and writers figure out what they really want to do.

On the plus side I am keen on the cover, and the art is solid as we've come to expect, with a very Punisher-esque Bruce.

Overall though, Batman and Red Hood just feels as though it is treading water, and that's a shame as it's been a great title so far. That earns it a reprieve for the odd duffer, but I hope it find its feet again soon without a full time Robin.

Star Trek Into Darkness in 100 Words




Star Trek into Darkness moves along at warp speed through a journey with the simple question of how far would you go for family?
Whilst Benedict Cumberbatch surprises no one with the high calibre of his villain, the films centre is the relationship between Kirk and Spock; both funny and touching. This trek hits all the high notes, though only in the broadest sense, and not particularly darkly. Those looking for depth and more than a passing glance at most of the cast will be disappointed. But Abrams knows how to deliver on fun and spectacle and doesn't fail us.

Wednesday, 1 May 2013

Iron Man Three in 100 Words

In looking to improve my own writing, I've been speaking to fellow writers over at Flickering Myth and decided to try and write a review in 100 words. Was I up to the challenge?




Kicking off Marvel’s ‘Phase 2’, Iron Man Three is not only packed with action and witty banter, but subverts your expectations to great effect. Following his heroics in The Avengers, Tony Stark is a troubled man. His erratic behaviour threatens his relationship with sweetheart Pepper and brings the full force of The Mandarin upon him. Sans suit for most of the film, Tony’s relationships (new and old), entertain as well as propel the narrative. Proving that post Avengers you don’t need the whole gang to thrive, Iron Man Three shows real growth; for the character, and the Marvel Cinematic Universe.

What did you think? Let me know.

<a href="http://www.bloglovin.com/blog/6418225/?claim=k566m3huse5">Follow my blog with Bloglovin</a>

Thursday, 25 April 2013

Iron Man 3


Director – Shane Black
Running Time – 130 minutes





So here we are. The beginning of Phase 2 in the Marvel Cinematic Universe. If that wasn't a big enough deal on it's own Iron Man 3 is also the film that has to follow the $1 billion+ juggernaut that was Avengers Assemble. Can it hope to follow up on that level of success?

Yes it can, just not in the way you’d expect.

A bold move was made straight away when John Favreau stepped down; to be replaced by Shane Black for co-writing and directing duties. Many of you may know that Black (Hawkins in Predator!), has worked with Downey Jr before, in Kiss Kiss Bang Bang. That film proved a successful combination, as Black’s witty writing perfectly complimented Downey’s natural charm. It was no fluke, as the combo is again a strong point, though not in the same way. Tony Stark is struggling here, with a lot of his ego being stripped away after his wormhole experience with The Avengers, and Downey Jr really adds meat to the character and shows us sides of him we haven’t seen in his previous three outings. No gurning drunkenly in his armour here. That’s not to say the film doesn’t contain humour. There is a fair bit of it. It’s just not always where you think it will be.

It’s extremely difficult to write about this film without going into spoilers. It’s so rich in detail and plot points that you would be forgiven for thinking it was too busy. Some characters do not get as much time as you’d expect but the script is tight (A 2 hour 10 minutes movie in a world where nearer 3 hour films are increasingly common), and everything comes together not only neatly, but answers the main questions the film poses in a strong manner.

As previously said, Downey Jr adds more facets to his character as he is stripped of his usual accoutrements. In a few ways I'm reminded of Batman Begins, as the film is really centred on him and his growth. However, he isn’t the only cast member bringing his A-game. Of particular note are Ben Kingsley and Guy Pearce as The Mandarin and Aldrich Killian, who both provide fully resolved characters with understandable motivations behind their questionable actions. Gwyneth Paltrow again stands by Stark’s side as Pepper Potts; who has now moved in with him. Not all is well however as anxiety attacks suffered by Tony following the Battle of New York threaten to create a schism between the couple. Hiding himself away, he has created a series of different armours to keep distracted. Maybe there isn’t so much of the banter we’ve previously seen between them but that isn’t to say the great chemistry we've seen in previous films is still present and correct.

A re-branded War Machine (now the Iron Patriot) has more time than he did in Iron Man 2, which is great to see as Don Cheadle has struck up a realistic, brotherly relationship with Downey Jr. Their characters bicker and banter just as you’d expect a pair to when they’ve known each other this long. Hopefully we can get more of his character in future films. A spin-off or maybe Avengers 2?

Sitting through the credits to get to the now-obligatory end credits scene, I couldn’t help but notice how many people worked on the effects for this film. It clearly paid off, as both the practical and visual effects are amazing. This is most clearly shown in a spectacular free-fall sequence that you will have glimpsed in the trailers. It’s hard to figure out what was performed in reality, even if you’ve seen the various videos and images pre-release. That is surely the highest compliment it can be paid.

Iron Man 3's central question is - Does the armour makes the man or the man make the armour? Not only is this answered emphatically, it is answered by a fantastic cast whose characters challenge our hero to show not only how far he has come, and how much further he can go. From drunken genius playboy to fully fledged superhero and responsible man, Downey Jr is Tony Stark. His multiple picture deal with Marvel has expired, and though I feel its doubtful he won't return; if this is his swansong it's a great way to go.

A high point in the Marvel Cinematic Universe, and not the film I expected at all; Iron Man 3 is a more mature comic book film, whilst still retaining all the adventure and humour we’ve come to expect. Hopefully it’s a great indicator of where Marvel is heading with their cinematic adventures. This may become a 'love it' in the future.

Super Duper Rating

Painful
Poor
Disappointing
Average
Good
Great
Love it